Friday, May 9, 2008

May Featured Actor - Jacob York




Jacob York is a new face here at the Shakespeare Tavern. He just graduated from our 2007-2008 Apprentice Company in April and has already been cast in our next two productions. Jacob will be playing a Tragedian in Rosencrantz and Guildenstern are Dead, and Claudio in Much Ado About Nothing.

Hailing from Kentucky, Jacob has spent the last few years traveling around the country working on different projects. He spent a summer with the Shakespeare Theatre of New Jersey, where he claims to have learnt more in one summer than he did in college. He has also done some stunt show work, and spent the summer of 2007 at The Lost Colony in North Carolina.

He auditioned for the Shakespeare Tavern Apprentice Company because he liked the thought behind the Tavern. After auditioning, he was convinced that he had blown it because he lost his keys at our building and had several staff members running around searching for them. He thought that it might be a sign of weakness. However, he did of course get selected regardless of his issues keeping track of personal objects.

During his time with the Apprentice Company, he enjoyed text class immensely. He finds Shakespeare’s texts ethereal and liquid. He is also very fond of education, both learning and teaching.

In the future he would like to be a Professor and to teach college or groups of serious young actors. He says that he is a small town boy that misses his home, and has no intention of heading for Broadway or Hollywood.

Jacob’s favorite past roles are John Barrymore in I Hate Hamlet with Murray State University, Blue Ramada (a self-created character) at the Double JJ Resort Theatre, and Bottom in A Midsummer Night’s Dream, because “Everyone has a bad actor inside of them”.

Jacob’s dream role is Hotspur from Henry IV because he is a “loose canon raised in nobility”. From Hotspur also comes Jacob’s favorite line in Shakespeare, which is simply “My name is Harry Percy.”

A non-Shakespeare role that Jacob would love to play would be Hedwig in Hedwig and the Angry Inch. He confesses though that it is unlikely that he would play it because he doesn’t think he would make a good singer or a pretty girl.

Jacob is inspired by the work of Daniel Day Lewis, Ian McKellan and Patrick Stewart. As someone who is never without his headphones though, he notes that a lot of his inspiration comes from music, which is currently Ted Leo, Jens Lekman and Daft Punk.

In Rosencrantz and Guildenstern are Dead, Jacob will be playing a Tragedian. He says that he is excited to be working with the other Tragedians in the cast. He greatly enjoys working with Director Jeff McKerley, because he “makes me feel like a part of it”.

Something you didn’t know about Jacob? He has lived in 6 different states in the last 6 years.

Other previously Featured Actors in Rosencrantz and Guildenstern are Dead include:

Nicholas Faircloth
Daniel Parvis

Friday, May 2, 2008

GOTTA SEE R & G by Rivka Levin, Development Director

I am writing to encourage you ALL to do yourselves the extreme favor of NOT MISSING this month’s production of Rosencrantz and Guildenstern are Dead. This is an incredible, funny, poignant production; and trust me, you’ll thank me later for this encouragement.

But wait! I hear you cry. Um… doesn’t the show open NEXT week? How can you know how good a show is before it’s even opened?

Because, dear reader, I have the wonderful and occasionally annoying honor of sharing an office space with the main rehearsal hall. (Welcome to the wild and woolly world of Non-Profit Theater.) So, whilst trying to write our grants and secure sponsorships, I am occasionally compelled to turn around in my chair to watch a particularly wacky or heart-wrenching moment of a rehearsal.

I have been a silent witness to this production (except for when I laughed out loud – oops!) since the first read-through, and I therefore feel uniquely qualified to tell you that with a whole week of rehearsals left to go, this is already a superb production. Jeff McKerley brings all the off-the-wall humor and incredible tenderness to the director’s chair that Tavern aficionados have come to expect from his own live performances. But more than that, he has accomplished what many directors say is 90% of what makes a good show: the right casting.

Paul Hester and Guildenstern (or is it Rosencrantz?) and Nick Faircloth as Rosencrantz (or, erm… wait…) are beautifully cast as the two hapless friends of Hamlet’s whose innocence of political intrigue lands them in hot water. They are in turns immensely clever (as only Tom Stoppard can be) and endearingly naïve; overwhelmed with concern for their fate and in the next breath carefree as school children… and watching them in rehearsal has been an absolute joy. Likewise, Drew Reeves as the Player and his band of tragedians shine with impeccable timing and physical ability. Drew in particular as the histrionic, never-quite-know-where-you-stand-with-him thespian brings an energy and rage to the role that makes him fascinating to watch.

The bottom line: my recommendation is to order your tickets NOW, before the word of mouth which will surely follow Opening Night sells this production out.

Thursday, May 1, 2008

Apprentice's Perspective Vol. 3 - Graduation

Hey guys! Wow, it has been a long time since I've been on here.

Well, that's sort of a misnomer. I've been on here, I just haven't been writing. Once again, a lot has happened since I last wrote. Let's try to cover it all. I've got some time between memorizing lines and waiting to go see Iron Man. Wait, did I say memorizing lines? Hmmm...looks like you might just have to wait for that tidbit.

- January was my Tavern stage debut with Twelfth Night. Turns out the time crunch wasn't a huge deal, as I think we put on a really solid show. Matt Nitchie as Malvolio was incredible in a part that is rarely quite so infused with humanity. Though, to call any particular person out is a disservice to everyone else who was fantastic. Though, of course, I have to mention my partner, Tiffany Porter, who was such a great Fabian. She got a great look at all of my acting, as she was on stage for, you know, every single moment of the play from my perspective.

- It was a challenge to take on so many different characters in such a short amount of time and try to make each one distinct. I think Valentine was a particular success. He is, after all, the Warlock Supreme.

- February brought my first understudy project, as I was involved in Romeo and Juliet at the Tavern. So was, for that matter, every single apprentice that WASN'T John Stephen King. I went on as the Prince and had a heck of a time. It was a great experience to work with some people that I hadn't worked with in any real capacity (Jane Bass and Dikran Tulaine, for instance).

- Sadly, I had to miss two of my comrades performances (Derek Randall and Mark Schroeder) in the opening night of R&J, since I had a previous appointment to go to UPTA. I mean, I love Atlanta so far, but that doesn't mean that I'm not going to get out there and test the waters. I went with KG Morton and had a great time. I saw a ton of friends from Lost Colony and even a friend from my old alma mater. It was good to get an idea of where I am outside of Atlanta. Very refreshing.

- By the time that wrapped up, we got our scenes for the final scene night. My text scene was to be a scene from Cymbeline, with Stephen playing Posthumus and myself playing Iachimo. The big thrill, though, was to do a scene from Henry IV Part 1 with Derek playing Prince Hal and myself playing Hotspur.

- The scene night was fantastic with such a great audience. The buildup was great, too. Mike Niedzwiecki was an even handed choreographer. He was very patient and made it clear that we were the guys who controlled the flow and intent of the fight. Toward the end, the idea of having the "best" fight started to fade away and was replaced with a simple urge to tell the story as succinctly as possible, with, hopefully, no little amount of squirming in seats from audience members.

- It was also a pleasure to work with such a cross section of senior company at the Tavern, from Maurice Ralston, Tony Brown, Troy Willis, Laura, Drew, and Jeff Watkins, they all made themselves available to us in the final weeks. I learned so much in the rush to the end, it was hard to keep it all in mind.

- Between these times, I went to my very first Atlanta Unified! What an experience. I'm so much more used to the SETC/UPTA/MWTA format where, after auditioning, you had a day full of call backs to go through. The idea of Unifieds is interesting, where it's essentially one job interview that works for the entire year. That being said, I'm not lightening up my quest to stay employed. Anyone need a headshot?! Let me know.

- The final scene night was a pleasure. From an audience packed with family members and Tavern people to the execution and culmination of these last eight months, it was a night fraught with joy and pain. Yes, just like the song by Rob Base. Sing it now, God's children. Iachimo was slimy and Hotspur was...frankly, to me, it was everything I had wanted. I found myself wanting to keep talking in my dying moments as Hotspur. After all...when he dies...I'm done playing him. What an experience. After a two day sprint, between dress rehearsals, Rosencrantz and Guildenstern rehearsals, day job, and good ol' emotional toil, I was exhausted. So, you know, I've crashed a bit. I'm sick now, but I'll be over it soon.

- Wait, did I say Rosencrantz and Guildenstern rehearsals? Why, yes I did. I'll be appearing as a Tragedian coming up soon. Please come out and see me! Tell me I was exceptional. Or, you know, a solid part of the ensemble, at least. And what an ensemble it is! I couldn't be more pleased to be with my fellow Tragedians (Mike N., Daniel P., Joe B., Doug G. and Drew as our inimitable "Player".) and it's been a great experience working with them and director Jeff McKerley.

- But, you aren't getting rid of me as easy as that. You'll see me next month, as well, in Much Ado About Nothing as the young lord Claudio. I'm super excited and can't wait to get up there with Maurice and see what kind of trouble I can get into.

***

- For a bit of self promotion, if you want to check up on me, feel free to swing by my website, Jacob DASH York.com or my "professional" blog, which I seem to be updating about as often as I updated this one.

- If anyone is on the fence about whether or not to do the apprenticeship, you really ought to do it. Really.

- Such thanks to everyone, from all those who were mentioned before to Matthew, Holly, Kirstan, Kirk, Redd, Jeanette, Cindy, Debbie, everyone who was kind and appreciated our work, everyone who tried to teach us a bit, every actor, every professor, every volunteer and every single person who saw the shows. If I forget anyone, I'm sorry. Mention it to me, and I'll thank you too. I just met a lot of people in the last eight months.

There are times when it's hard to be an actor. It can be a rough, thankless life ("It's SOOO hard to be an actor," right, Daniel Parvis?), wondering where the next check is coming from or if it's even coming at all. All of you people made it a wonderful environment over the span of the apprenticeship and I cannot possibly thank you all enough.

But I'll try, I guess.

Thank you. So, so, so much.
"We outta here, baby."

Thursday, April 24, 2008

Happy (Belated) Birthday Bill!

Yesterday morning we welcomed 298 students and one couple celebrating their Wedding Anniversary (Congratulations again, Mr and Mrs Childress!) to a matinée of A Midsummer Night's Dream. It was a happy day for us here at the Tavern. We always particularly enjoy the 23rd of April. You see, yesterday William Shakespeare turned 392. The cast sang Happy Birthday to him before the show, and there was much rejoicing. Keeping Shakespeare alive and immortal is something that I am particularly fond of. I often wonder what he would have thought if someone told him that his work was going to be performed 40 or so weeks out of the year amongst skyscrapers in a city on another continent 350 years or so after he wrote it. I think it would have given him quite a big head!

Happy Birthday Bill, the big 400 is fast approaching!

-Redd

Tuesday, April 15, 2008

April Featured Actor - Mary Russell




















Mary Russell has a long history with the Shakespeare Tavern. At first, Mary could be seen running around the building as a Volunteer when she was a senior in high school. Then, she auditioned for the 2002-2003 and 2003-2004 Apprentice Company. She became a “Grasshopper” in 2003 and since then she has been a regular face on the Tavern stage since then, becoming an Artistic Associate in 2007.
Mary is currently performing as Helena in A Midsummer Night’s Dream, a character she enjoys because she feels that Helena goes with her emotions, knows what she wants, and figures out how to get it.

Mary was born and raised in Georgia. She has a BA in Theatre with a Minor in English from UGA.
She has been working in theatre since college, but was inspired to do Shakespeare by Helen Mirren’s 1978 role in As You Like It.

She found the transition from being a Volunteer to being an Actor on stage a challenge because “It was hard to get over the volunteer vibe”. More challenging than that, though, was when she had to take over the role of Helena in A Midsummer Night’s Dream with just four days notice back in 2004.

Mary’s favorite past Shakespeare role was Kate in Taming of the Shrew. She says that she really felt that she connected with the character.
Her favorite non-Shakespeare role was drastically different though. She played Karen in Voices Deaux at Multishades at Theatre Decatur, In this avant garde play, Mary played Karen, a military cadet. This intense role required her to undergo rigorous physical training and to get used to learning contemporary dialogue. She was scared that she wouldn’t be able to do it, but enjoyed the challenge and felt great about the role.

Her dream role would be Rosaline in As You Like It, which hearkens back to her first initial interest in Shakespeare. If she were a musical performer, she would love to play Roxie in Chicago.

She is inspired by the work of Helen Mirren and Johnny Depp.

So what does the future hold for Mary? She would like to stay in Atlanta another five years and continue to work around town. She’s been thinking about going to work in Chicago, but finds the weather off-putting. She would also love to go to Los Angeles and work in TV, especially Sitcoms or Episodic Drama’s. Mary says she likes the structure of the work.

Mary’s favorite Shakespeare quote comes from The Tempest:

"We are such stuff
As dreams are made on; and our little life
Is rounded with a sleep."

Something you didn’t know about Mary? She had to wear braces for seven years.

-Redd

Tuesday, March 11, 2008

March Featured Actor - Daniel Parvis














A former member of the “Worker Bee” Apprentice Company of 05-06, Daniel Parvis will be a fixture on the Tavern stage for our next three productions, Of Mice and Men, A Midsummer Nights Dream, and Rosencrantz and Guildenstern are Dead.

During his childhood, Daniel moved back and forth between Texas and Utah. He moved to Georgia when he was ten, then went back to Texas for his first two years of college at Southern Methodist University, before moving back to Georgia to receive a BA in Theatre at UGA in 2004. Daniel told me that joining the Apprentice Company really made theatre a focus in his life.

Since completing his Apprenticeship Daniel has been on stage at the Shakespeare Tavern many times with roles in A Midsummer Night’s Dream, Troilus and Cressida, The Merry Wives of Windsor, Love’s Labour’s Lost, The Taming of the Shrew and King John.

His favorite role so far in Shakespeare was the 2007 production of The Taming of the Shrew where he played Biondello. In Non-Shakespeare, he enjoyed playing Lucky in Waiting for Godot at the University of Georgia.

His Dream roles are Iago in Othello, Mercutio in Romeo and Juliet and Tom in The Glass Menagerie.

When I asked Daniel what his favorite line in Shakespeare is, he responded with a line from Love’s Labour’s Lost:

“Love’s feeling is more soft and sensible than the tender horns of cockled snails.”

Daniel says that he is happy in Atlanta, but would like to work more in film.

When discussing his role in Of Mice and Men, Daniel says that Slim is very strong, centered and confident. He is not driven by ego and is very kind. He has authority. He feels that Slim is very much a grown up role.

Daniel finds inspiration in the work of Johnny Depp, Christian Bale, Matt Damon and Ewan McGregor.

Something that you didn’t know about Daniel? He cheats at Monopoly every time he plays. Oddly enough although he may be stealing from the bank the entire time, he never wins.



-Redd

Friday, February 8, 2008

February Featured Actor - Nicholas Faircloth

















Since 2003, Nicholas Faircloth has been an active member of the Shakespeare Tavern family. He is currently playing Mercutio in Romeo and Juliet, a new role for him in one of our most popular plays.

Nick has lived in Georgia for most of his life. After high school he looked into going to Northwestern and NYU, but after traveling to Europe, he decided to apply and was eagerly accepted to the Liverpool Institute of Performing Arts (LIPA) in England. LIPA was a brand new school with students from all around the world. Anthony Hopkins and Paul McCartney were regular guest teachers. Nicholas received a BA with Honors in Performing Arts. He came back to the US and began performing in the area, and started to randomly meet other members of the Tavern family. In 2003, he auditioned for the second Apprentice Company. At callbacks, he ran into Kirk Harris Seaman, who he had gone to High School with and hadn’t seen for many years. Both Kirk and Nick became members of the 2003-2004 Apprentice Company, and two years later Nick became a member of staff here.

Nick says that his favorite role is usually whatever role he is immersed in at the time. He particularly enjoyed playing Howie in Our Town in 2004.

Nick likes to let things happen in his life. He doesn’t have any set plans to go into film or move to other cities, he likes to wait and see what opportunities cross his path.

His dream role in Shakespeare would be to play Hamlet. He has played Laertes before and says that he would love to see the play from the other side.

On playing Mercutio, Nick loves that he is a he is playing a performer. He finds that Mercutio is a reactor, and talks at and not to people. Nick believes that Romeo is “Love,” Benvolio is “the Soul”, and Mercutio is “the Reactor”. He also admits to finding the bawdiness fun.

Nick’s idols are Al Pacino “I could watch him read the phone book”, Robert de Niro in seventies, Gene Hackman, Daniel Day Lewis, and Sean Penn. He likes people who know how to behave.

Something you may not know about Nick? As a kid one of his first roles was as a Mexican bandito. He also confesses that he cries….. a lot.

Nicholas will be on the Tavern stage again in Of Mice and Men in March, and in Rosencrantz and Guildenstern are Dead as Rosencrantz in May.


-Redd